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May/June 2012, Volume 36, No. 5 |
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FEATURING Koh Mr. Saxophone, Charlie Jennison, Keith Zimmerman |
| RECENT BACK ISSUES Click here SAXOPHONE JOURNAL HOME PAGE Click here |
ARTICLES THIS ISSUE Editorial by David J. Gibson What File Type Should I Use On My Website For Music Files? And The Winner Is.... Repair Demystified by Curt Altarac Octave Vents: Hissing, Fuzziness, Resistance, Response Issues, Sub-Tones Creative Teaching Techniques by Steve Mauk Good Tone Equals Good Intonation Rock 'n Roll Saxophone by Andrew Clark "Good-bye To The Big Man" Clarence Clemons The Fabulous Leblanc System Saxophones by Steve Goodson Designed By Georges Leblanc & Charles Houvenaghel New Saxophone Publications by David densey Hallelujah Junction by John Adams Coltrane On Coltrane:The John Coltrane Interviews by Chris DeVito Creative Jazz Improvisation by David Pope Remembering Bob Brookmeyer The Saxophone Quartet Entrepreneurship 101 -RECOMMENDED RECORDINGS- Frank Bongiorno's Reviews High On You Pete Christlieb (& Linda Small's 11-Piece Band) Works Of Art Wayne Leechford Have a CD, book, video you want reviewed? click here |
J.S. Bach |
This Saxophone Journal masterclass features the third movement of Bach’s Concerto in F, BWV 1057. However, Bach often reused music from his previous compositions and reworked them into new versions for different ensembles. BWV 1057 actually originates from the fourth Brandenberg Concerto, BWV 1049, which predominantly features the first violin. Bach’s BWV 1052-1058 consist entirely of concerti for harpsichord and ensemble, with BWV 1057 being perhaps the most beloved of this set due to its soaring melodies and the inventive and exciting treatment of the thematic material throughout the final movement. |
J.S. BACH MASTERCLASS CD |
