July/August 2005, Volume 29, No. 6
FEATURING
Doug James, Eric Marienthal, Todd Tucker
Doug James, Eric Marienthal, Todd Tucker
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July/August 2005
by David Pope
"Developing Artistic Awareness"
The Sax Doctor
by Emilio Lyons
"Fixing Worn Metal Sax Strap Rings"
"Fixing The Loose Flute End Cork"
Creative Teaching Techniques
by Steve Mauk
"Bad Habits Checklist"
Rock 'n Roll Saxophone
by Andrew Clark
"Private Party Three-Set Song List"
The Sax Music Of
Belgian Composer Marcel Poot
by Ton Verhiel
New Saxophone Publications
by David Demsey
"The Real Easy Book, Vol. 2"
"Jazz Saxophone Etudes-Greg Fishman"
A Lesson With Charek Gadzina
by Greg Banaszak
The Smaller Saxophones
by Jay Easton
"Piccolo, Sopranino, Soprano, F Alto Saxes"
Mouthpieces & Reeds
by Tracy Heavner
The Road Not Taken:
French Saxophone Masterpieces
Richard Hodges, saxophone
Cinesax
Jean-Yves Fourmeau Sax Quartet
Billy Kerr's Reviews
Once Upon A Reed
Ray Reed, saxophone
Et Ses Amis Europeens
Michael Donato, saxophone
The New Hang
Don Braden, saxophone
Frank Bongiorno's Reviews
La Espada de la Noche
Ted Nash, saxophone
Sax In The City
Ron Rhynard, Harry Hassell,
Patrick Lombardo, Michel Gohler,
saxophones
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Double Edge
by Gregory Yasitnitsky
1. Introduction—1:26
2. Performance of Double Edge, I. Between Dreams and Time—3:34
3. Performance of Double Edge, II. Silver Image—3:52
4. Tuning Notes: concert Bb and A—0:38
5. Piano only, Double Edge, I. Between Dreams and Time—3:35
6. Piano only, Double Edge, II. Silver Image—3:50
7. Greg’s background as a composer and saxophonist—3:02
8. The story of Double Edge—4:39
9. Structure of Double Edge, jazz harmony—0:42
10. Between Dreams and Time, meas. #54 to the end of the movement (jazz harmony)—0:49
11. Structure of Double Edge, continued—2:03
12. Meas. #6-13 of Between Dreams and Time played with classical and jazz sounds—1:06
13. Meas. #11-42 of Silver Image played with classical and jazz sounds—1:19
14. Structure of Double Edge, optional improvisation—0:18
15. Meas. 119-151 of Silver Image without and with improvisation—1:07
16. Double Edge program notes—2:02
17. Intonation—1:57
18. Demonstration, high B—0:12
19. Intonation, continued—1:04
20. Meas. #6-8 from Between Dreams and Time played without and with the “long C#” fingering—0:49
21. Intonation, continued—0:54
22. Greg demonstrates the alternate fingering chart—3:40
23. Intonation summary—0:16
24. Between Dreams and Time, ensemble coordination—2:13
25. Between Dreams and Time, phrasing and dynamics—2:36
26. Meas. #6-12 from Between Dreams and Time played without and with expressive dynamics—1:18
27. Phrasing, continued—1:11
28. Silver Image, tempo, swing and articulation—1:23
29. Meas. #11-50 from Silver Image played without and with tongue releases—0:49
30. Silver Image, articulation, continued—1:20
31. Meas. #129-132 from Silver Image played without and with “jazz articulation”—0:27
32. Silver Image, dynamics—0:26
33. Thanks and goodbye—0:41
2. Performance of Double Edge, I. Between Dreams and Time—3:34
3. Performance of Double Edge, II. Silver Image—3:52
4. Tuning Notes: concert Bb and A—0:38
5. Piano only, Double Edge, I. Between Dreams and Time—3:35
6. Piano only, Double Edge, II. Silver Image—3:50
7. Greg’s background as a composer and saxophonist—3:02
8. The story of Double Edge—4:39
9. Structure of Double Edge, jazz harmony—0:42
10. Between Dreams and Time, meas. #54 to the end of the movement (jazz harmony)—0:49
11. Structure of Double Edge, continued—2:03
12. Meas. #6-13 of Between Dreams and Time played with classical and jazz sounds—1:06
13. Meas. #11-42 of Silver Image played with classical and jazz sounds—1:19
14. Structure of Double Edge, optional improvisation—0:18
15. Meas. 119-151 of Silver Image without and with improvisation—1:07
16. Double Edge program notes—2:02
17. Intonation—1:57
18. Demonstration, high B—0:12
19. Intonation, continued—1:04
20. Meas. #6-8 from Between Dreams and Time played without and with the “long C#” fingering—0:49
21. Intonation, continued—0:54
22. Greg demonstrates the alternate fingering chart—3:40
23. Intonation summary—0:16
24. Between Dreams and Time, ensemble coordination—2:13
25. Between Dreams and Time, phrasing and dynamics—2:36
26. Meas. #6-12 from Between Dreams and Time played without and with expressive dynamics—1:18
27. Phrasing, continued—1:11
28. Silver Image, tempo, swing and articulation—1:23
29. Meas. #11-50 from Silver Image played without and with tongue releases—0:49
30. Silver Image, articulation, continued—1:20
31. Meas. #129-132 from Silver Image played without and with “jazz articulation”—0:27
32. Silver Image, dynamics—0:26
33. Thanks and goodbye—0:41
Total Timing: 55:18